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Culture6 min readJun 26, 2026

The independents have arrived in Melbourne

Five years ago these names came up once a year in conversation. Now they arrive in the showroom on wrists, and the collections behind them have changed shape.

The independents have arrived in Melbourne

Melbourne has always traded more seriously than it lets on, and it has always done so quietly. What has changed recently is what is being traded. The collections we are asked to value now contain names that would have been met with a blank look in this city ten years ago.

MB&F, Urwerk, De Bethune, H. Moser, Laurent Ferrier, Kari Voutilainen. Not in every collection, and rarely more than one per collection. But present, and increasingly present as the piece the owner is least willing to part with.

Why now

Three things happened at once.

The first is that the mainstream got harder to buy. When the obvious references sat behind multi year waiting lists, buyers with money and impatience went looking, and once you are looking outside the big names anyway, the distance to an independent is shorter than it appears.

The second is that the internet flattened the information gap. A collector in Hawthorn now sees the same releases, the same auction results and the same wrist shots as a collector in Geneva, on the same day. Scarcity of product has not changed. Scarcity of knowledge has collapsed.

The third is generational. The buyers arriving at this end of the market now made their money in the last fifteen years, often in technology, and they are noticeably more interested in how a thing is made than in what it signals. That preference points directly at the independents, whose entire proposition is the making.

What owning one is actually like

Less convenient than owning a Rolex, and that is the point.

Servicing is a genuine consideration. Most of these movements go back to the maker, which for an Australian owner means shipping, insurance, currency risk and a wait measured in months rather than weeks. Budget for it before you buy, and ask specifically about the maker's Australian arrangements, because they vary enormously.

Resale is thinner. There are fewer buyers for a Laurent Ferrier in this country than for a Daytona, which cuts in two directions: the right piece can take longer to sell, but it also does not suffer the sharp corrections that hit the liquid references when sentiment turns. In the 2023 downturn, the independent pieces in our clients' collections were, on the whole, the ones that held.

And the ownership experience is different in a way that is difficult to explain until you have handled one. The finishing is visible to the naked eye. The engineering is unusual enough that you keep looking at it. People who do not know watches notice, which is the opposite of how the traditional grail functions.

Where the Melbourne scene actually happens

Not in shops, mostly. It happens at half a dozen dinners a year, in a couple of group chats, and in the hour before and after the auction previews. The city has perhaps two hundred people who buy at this level with any regularity, and a good proportion of them know each other.

That has consequences for how pieces trade. A significant independent rarely reaches a public listing here. It moves through the network first, and only surfaces publicly if the network passes. If you want access to that flow, the entry cost is participation rather than money: turn up, ask questions, be useful to other collectors.

If you are thinking about your first one

Buy the maker whose work you actually want to look at, not the one with the best chart. The independents are a poor speculative asset and an excellent thing to own.

Handle before buying, without exception. These are the watches most misrepresented by photography, in both directions, and several of the pieces that look extraordinary online are underwhelming in the metal while several that look odd are remarkable.

Check the paperwork more carefully than you would on a mainstream piece. Production numbers are small enough that provenance is traceable, and it should be traceable. Ask for it.

And be patient about the specific reference. The right example of the piece you want will come up. The wrong example of it, bought quickly, is the most expensive mistake available in this part of the market.

We handle independent pieces on consignment and we are happy to talk through the practicalities before you commit to anything, including the boring parts about servicing and insurance. That conversation costs nothing.